11/24
時点_ポイント最大11倍
Isaac Hayes
Isaac Hayes 「Black Moses」 CD
販売価格
2,190
円 （税込）
- 出荷目安：
- 当日-翌日出荷
たまるdポイント（通常） 19
+キャンペーンポイント（期間・用途限定） 最大10倍
※たまるdポイントはポイント支払を除く商品代金(税抜)の1％です。
※表示倍率は各キャンペーンの適用条件を全て満たした場合の最大倍率です。
各キャンペーンの適用状況によっては、ポイントの進呈数・付与倍率が最大倍率より少なくなる場合がございます。
dカードでお支払ならポイント3倍
各キャンペーンの適用状況によっては、ポイントの進呈数・付与倍率が最大倍率より少なくなる場合がございます。
マークは試聴できる楽曲です。
- 商品情報
- レビュー
【販売店・発送】 タワーレコード株式会社
商品の情報
| 発売日：2009年04月14日 / ジャンル：SOUL/CLUB/RAP / フォーマット：CD / 構成数：2 / 製造国：ヨーロッパ盤 / レーベル：Fantasy Records (USA) / SKU：888072312388 / 規格品番：7231238 |
商品の紹介
| The sheer tenacity -- albeit undeniably fitting -- of this double-disc set has made Black Moses (1971) one of Isaac Hayes' most revered and best-known works. The multi-instrumental singer/songwriter and producer had been a central figure in the Memphis soul music revolution of the mid-'60s. Along with Booker T. & the MG's, Hayes wrote and performed on more Stax sides than any other single artist. By the time of this release -- his fifth overall, and first two-record set -- Hayes had firmly established himself as a progressive soul artist. His stretched-out and well-developed R&B jams, as well as his husky-voiced sexy spoken "raps," became key components in his signature sound. Black Moses not only incorporates those leitmotifs, but also reaffirms Hayes abilities as an unmistakably original arranger. Although a majority of the album consists of cover material, all the scores have been reconfigured and adapted in such a fundamental way that, for some listeners, these renditions serve as definitive. This is certainly true of the extended reworkings of Jerry Butler's "Brand New Me" and Esther Phillips' "You're Love Is So Doggone Good" -- both of which are prefaced by the spoken prelude to coitus found in each respective installment of "Ike's Rap." The pair of Curtis Mayfield tunes -- "Man's Temptation" and "Need to Belong to Someone" -- are also worth noting for the layers of tastefully scored orchestration -- from both Hayes and his longtime associate Johnny Allen. The pair's efforts remain fresh and discerning, rather than the dated ersatz strings and horn sections that imitators were glutting the soul and pop charts and airwaves with in the mid-'70s. Hayes' own composition, "Good Love," recalls the upbeat and jive talkin' "Hyperbolicsyllabicsesquedalymistic" from Hot Buttered Soul (1969), adding some spicy and sexy double-entendre in the chorus. ~ Lindsay Planer |
| --- |
| Rolling Stone (p.79) - 4 stars out of 5 -- "[Hayes] mourns a collapsed marriage across two discs that seem to spin in slow motion as Hayes flexes masculine strength through vulnerability." Spin (p.95) - "[Hayes] played the prophet of heartbreak, delivering two platters of wistful covers wrapped in symphonic strings..." Uncut - 3 stars out of 5 -- "What he brought to the '70s party, apart from sheer chutzpah...was sonic nous, the ability to play an entire studio and to integrate technical innovations like fuzztone and wah-wah guitars." Living Blues (p.62) - "BLACK MOSES is an emotionally lush set....BLACK MOSES is probably most closely associated with its lead single, Haye's stirring version of the Jackson 5's 'Never Can Say Goodbye'..." Pitchfork (Website) - "[I]t was a massively ambitious statement album, a collection of covers and originals that documented the collapse of Hayes' marriage. It was an enormous success..." Record Collector (magazine) (p.94) - 5 stars out of 5 -- "Hayes' most heartbreakingly intimate, emotionally sincere and brave release." Clash (Magazine) (p.112) - "This album's spiraling grooves and lush sonic landscapes have inspired everyone from hip hop producers to Portishead..." |
| Rovi |
収録内容
|
・構成数 | 2 ・合計収録時間 | 01:33:35 ・録音 | ステレオ 1.CD
2.CD
|