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Gary Burton Quintet
Gary Burton Quintet 「Dreams So Real: The Music Of Carla Bley」 CD
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【販売店・発送】 タワーレコード株式会社
商品の情報
| 発売日：2008年09月19日 / ジャンル：JAZZ / フォーマット：CD / 構成数：1 / 製造国：輸入 / レーベル：ECM / SKU：602517758308 / 規格品番：1775830 |
商品の紹介
| 1975年12月録音 |
| 【ECM設立40周年 Touchstone Series】 40周年を記念して、ECMを代表する40作品がお求め安い価格で復刻！ カーラ・ブレイの作曲を取り上げたリリカルな作品。若く勇敢なパット・メセニーとバートンとの活き活きとした緊張感溢れるプレイが聴きどころ。 |
| タワーレコード（2009/04/08） |
| Performing the intricate music of Carla Bley is no mean feat, but if anyone is up for the challenge, it would be vibraphonist Gary Burton. Signifying a high watermark in his career in the mid-'70s, Dreams So Real teams Burton with his fellow professor at the Berklee College of Music Mick Goodrick, along with recently graduated student Pat Metheny. Add the peerless electric bass guitarist Steve Swallow and always proficient drummer Bob Moses, and you have the makings of a short-lived supergroup capable of playing Bley's memorable, melancholy music. While generally regarded as one of many Burton/Metheny pairings, it is Goodrick's individualism (it was he who primarily tutored Metheny) that needs more recognition. With Goodrick on electric six-string and Metheny on electric 12-string guitar, the sonorities they establish allow Burton to freely discourse on Bley's prickly angular melodies. The brittle and fractured combo track "Ictus/Syndrome" -- closer to a three-piece suite -- goes from a frantic neo-bop meter to straight-ahead swing with a clearly inspired Burton rambling into the bright signature rondo sound that Metheny and Swallow have always owned. "Syndrome" might also be familiar to Bley's fans as "Wrong Key Donkey." "Doctor" merges the vibes and guitars into a guided prognosis of hypertension within slowly elevated blood pressure levels. "Intermission Music," inspired by golden age films, is a beautiful waltz vehicle for the guitars rhythmically, and for Swallow and Moses melodically. With the bandmembers at their most passionate, the title track is a lighthearted but cerebral ballad, "Vox Humana" a simplified tango, while "Jesus Maria" evokes the delicate epic strains of Bley's personalized sound with Burton playing it alone. While the singing sound of Metheny is in its infant stages, it is easily recognizable and clearly realized. Generally regarded as one of Burton's top three recorded dates, it has stood the test of time. Perhaps some day, a complete collection of the vibist playing Carla Bley's many other compositions can be compiled to complement this surface-scratching but very important album. ~ Michael G. Nastos |
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収録内容
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・構成数 | 1 ・合計収録時間 | 00:38:08 ・録音 | ステレオ 1.CD
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