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Opeth
Opeth 「Heritage」 CD
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1,990
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【販売店・発送】 タワーレコード株式会社
商品の情報
| 発売日：2011年09月16日 / ジャンル：ROCK/POP / フォーマット：CD / 構成数：1 / 製造国：ヨーロッパ盤 / レーベル：Roadrunner / SKU：016861770525 / 規格品番：1686177052 |
商品の紹介
| Heritage, Opeth's tenth studio offering, finds the Swedish band abandoning death metal: no growled vocals, no blistering fast power riffs, no blastbeats. Mixed by Steven Wilson (Porcupine Tree, King Crimson) and engineered by Janne Hansson, Heritage is easily Opeth's most musically adventurous -- and indulgent -- recording. Written primarily by vocalist/guitarist Mikael Akerfeldt, these ten songs are drenched in instrumental interludes, knotty key and chord changes, shifting time signatures, clean vocals, and a keyboard-heavy instrumentation that includes Mellotrons, Rhodes pianos, and Hammond organs -- ironic since keyboardist Per Wiberg left the band after Heritage was completed. Opening with the title track, a haunting solo piano instrumental, it careens into the explosive "The Devil's Orchard," with spectacular, arpeggiatic guitar work by Fredrik Akesson and matching drums by Martin Axenrot. With a huge, swirling B-3 in the backdrop, it melds progressive metal to prog rock, with Akerfeldt's clear, clean singing. "I Feel the Dark" marries Akerfeldt's classical guitar to piano, flute, a droning Martin Mendez bassline, and double-timed, quietly tense drum kit work. "Slither" sounds like Motorhead meeting early-'70s Deep Purple. "Nepenthe" begins as a ballad but shifts toward jazz-rock in the instrumental break before finding its way back to a middle ground with sparse instrumentation and taut dynamics. "Haxprogress" draws real inspiration from early King Crimson; Mellotrons and nylon-string guitars give way to Akerfeldt's crooning, thundering basslines, and syncopated drums. At eight-and-a-half minutes, "Famine" is the album's most abstract cut, with guest Alex Acuna adding Latin percussion to the mix, creating spaciousness in a long intro before giving way to colliding prog rock at the seam where King Crimson's "Larks Tongues in Aspic, Pt. 2" meets Jethro Tull's "Thick as a Brick." "The Lines in My Hand" is the set's most aggressive cut, with a deeply satisfying guitar crunch. "Folklore," with its myriad instrumental and vocal parts, complex melody, and breakbeats, comes off as an eight-minute suite before closing with another jazz- and folk-inflected instrumental entitled "Marrow of the Earth." Love it or hate it, Heritage, for its many excesses and sometimes blurry focus, is a brave album. It opens the door for Opeth to pursue many new directions and reinvent themselves as a band. ~Thom Jurek |
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| Rolling Stone (p.68) - 3.5 stars out of 5 -- "Add flutes, Middle Eastern percussion and Celtic- and flamenco-specked guitar beauty, and you have a career record that reimagines prog as actual rock & roll..." Uncut (p.86) - 3 stars out of 5 -- "[C]hugging riffs segue into extended passages of jazz fusion or sombre Scandinavian folk." Record Collector (magazine) (p.99) - 4 stars out of 5 -- "Acoustic and keyboard textures of all kinds blend with unpredictable arrangements and unexpected sonic sidesteps..." |
| Rovi |
収録内容
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・構成数 | 1 ・合計収録時間 | 00:56:58 ・録音 | ステレオ 1.CD
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