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Portishead
Portishead 「Third」 LP
販売価格
5,390
円 （税込）
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【販売店・発送】 タワーレコード株式会社
商品の情報
| 発売日：2017年01月20日 / ジャンル：SOUL/CLUB/RAP / フォーマット：LP / 構成数：2 / 製造国：輸入 / レーベル：Universal / SKU：602547976123 / 規格品番：4797612 |
商品の紹介
| Rolling Stone (p.80) - 3.5 stars out of 5 -- "THIRD is an unexpected yet totally impressive return.....Portishead mix up dub, break beats, cathedral organ, Moroccan drones and even surf rock into a headphone album for sour times." Spin (p.52) - Ranked #3 in Spin's "40 Best Albums Of 2008" -- "Both taut and unhinged, THIRD turns soul music into a bare-bulb interrogation of the soul." Entertainment Weekly (p.119) - "Beth Gibbons' spectral vocals linger atop eerie, warped pulses of music to create a swirl of melancholia." -- Grade: B+ Uncut (p.84) - 5 stars out of 5 -- "Adrian Utley proves to be the key player through much of the record....Here his playing is frequently awe-inspiring....THIRD is the most stunning, stark and superb Portishead album yet." Alternative Press (p.136) - 4 stars out of 5 -- "Listening to Portishead has always been like floating through a waking dream, but now the sleek edges have atrophied into a dusty chaos, and it's all the more beautiful and perfect for the change." Vibe (p.70) - "[Portishead] pays respect to innovators like Kraftwerk, Brian Eno, Wendy Carlos, and the RZA....THIRD has the blare of revolution." Q (Magazine) (p.131) - 3 stars out of 5 -- "THIRD's sole link with the past is Gibbon's voice, now less mannered and more careworn...especially on twinkling interlude 'Deep Water'..." Mojo (Publisher) (p.103) - 4 stars out of 5 -- "[C]onstantly beguiling....Throughout, Gibbons' singing gives musical and emotional coherence." Mojo (Publisher) (p.72) - Ranked #11 in Mojo's "The 50 Best Albums Of 2008" -- "Eleven years in the gestating, and totally worth the wait." Paste (magazine) (p.52) - "THIRD is far and away the best, most punk thing in the Portishead catalog: a deeply transgressive album that bears a passing similarity to its predecessors but leaves most of the baggage behind..." Record Collector (magazine) (p.94) - 4 stars out of 5 -- "[P]ositively infected with spanking new ideas....The jazz, terrifyingly, near Tropicalia prog and, gulp, ukuleles of Geoff Barrow's vast and vinyl library really come to the forefront." Clash (Magazine) (p.108) - "Portishead have sidled back to express their tortured collective in more depth than most bands could ever dream off. They have subverted the natural order. Pain was never meant to feel this good." Clash (Magazine) (p.67) - Ranked #15 in Clash's "The 40 Best Albums of 2008" -- "THIRD emerged as an abrasive, industrial and intimidating record..." |
| Rovi |
| Mystery burns at the heart of Portishead, lurking deep within their music and their very image. From the outset they seemed like an apparition, as if their elegant debut, Dummy, simply materialized out of the ether in 1994, as their stately blend of looped rhythms, '60s soundtrack samples, and doomed chanteuse vocals had only a tenuous connection to such Bristol compatriots as Massive Attack and Tricky. Soon enough, Portishead's unique sound was exploited by others, heard in swank clubs and high-end dinner parties on both sides of the Atlantic, a development that the trio of Geoff Barrow, Beth Gibbons, and Adrian Utley bristled at instinctively, recoiling into the darker corners of their sound on their eponymous 1997 sophomore album before fading back into the ether leaving no indication when they were coming back, if ever. They returned 11 years later, seemingly suddenly, with Third, supporting the album with candid interviews that lifted the veil from their personality, yet the mystery remained deeper than ever within their gorgeous, unsettling music. That strain of uneasiness is a new wrinkle within Portishead, as in the '90s they favored a warm, enveloping melancholy, a rich sound that could be co-opted and turned into simple fashion, as it was by band after band in the heyday of the swinging '90s. So many groups grabbed ahold of Portishead's coattails that it's easy to forget that in 1994 there was no other band that sounded quite like Portishead -- not even Massive Attack and Tricky, who shared many surface sounds but not a sensibility -- and that is just as true in 2008, years after trip-hop has turned into history. Their cold, stark uniqueness isn't due to a continuing reliance on the cinematic textures of Dummy, although there are echoes of that here on the slow-crawling album openers "Silence" and "Hunter," songs just familiar enough to act as reminders of how Portishead are special, yet just different enough to serve notice that the trio is engaged with the present, even if they've happily turned into isolated recluses, working at a pace utterly divorced from the clattering nonsense of the digital world. Third is resolutely not an album to be sampled in 30-second bites or to be heard on shuffle; a quick scan through the tracks will not give a sense of what it's all about. It demands attention, requiring effort on the part of the listener, as this defies any conventions on what constitutes art pop apart from one key tenet, one that is often attempted yet rarely achieved: it offers music that is genuinely, startlingly original. Surprises are inextricably intertwined throughout Portishead. There are jarring juxtapositions and transitions, as how the barbershop doo wop of "Deep Water" sits between those twin towers of tension of "We Carry On" and "Machine Gun," the former riding an unbearably relentless two-chord drone while the latter collapses on the backs of warring drum machines. Echoes of Krautrock and electronica can be heard on these two tracks, but that very description suggests that Third is conventionally experimental, spitting out the same hipster references that have been recycled since 1994, if not longer. These influences are surely present, but they're deployed unexpectedly, as are such Portishead signatures as tremulous string samples and Utley's trembling guitar. Out of these familiar fragments from the past, Portishead have created authentically new music that defies almost every convention in its writing and arrangement. As thrilling as it is to hear the past and present collide when "Plastic" is torn asunder by cascading waves of noise, Third doesn't linger in these clattering corners, as such cacophony is countered by the crawling jazz of "Hunter" and the sad, delicate folk of "The Rip," but a marvelous thing about the album is that there's no balance. There is a flow, but Portishead purposely keep things unsettled, to the extent that the tonal shifts still surprise after sever to be continued... |
| --- |
| ポーティスヘッドが2008年に11年ぶりに発売した3rdアルバムがLPで登場。全英2位、全米7位を獲得。 |
| 発売・販売元 提供資料（2017/01/11） |
収録内容
・構成数 | 21.LP
1.LP
2.LP
2.LP
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