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Dennis Coffey
Dennis Coffey 「Hot Coffey in the D＜限定盤＞」 CD
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【販売店・発送】 タワーレコード株式会社
商品の情報
| 発売日：2026年04月24日 / ジャンル：SOUL/CLUB/RAP / フォーマット：CD / 構成数：1 / 製造国：輸入 / レーベル：Resonance Records / SKU：096802280313 / 規格品番：HCD2024A |
商品の紹介
| 伝説のモータウン・ギタリスト、デニス・コフィーによる未発表ライヴ・アルバム。 伝説のギタリストが1968年にデトロイトのモリー・ベイカーズ・ショープレイス・ラウンジでレジデントを務めた際のライヴ録音でモーターシティのシーンを支えたオルガニスト、ライマン・ウッダードとドラマー、メルヴィン・デイヴィスをフィーチャー。 ジャケット・アートはデトロイト出身の漫画家・イラストレーター、ビル・モリソン(『ザ・シンプソンズ』『フューチュラマ』)によるもの! ＜パーソネル＞Dennis Coffey(g) Lyman Woodard(Hammond B3 organ) Melvin Davis(ds) |
| 発売・販売元 提供資料（2025/09/02） |
| Often as not, a musician's archive tapes end up being mere curios, interesting only to historians and die-hard fans. Thankfully, the aptly titled Hot Coffey in the D: Burnin' at Morey Baker's Showplace Lounge isn't one of these. Detroit guitarist and producer Dennis Coffey (one of Motown's famed Funk Brothers and a hitmaker in his own right), organ virtuoso bandleader Lyman Woodard, and drummer Melvin Davis, played weekly at the storied club on Detroit's West Side. They'd been together two years working constantly, and their woodshedding shows: This trio is as committed to discovery as they are to a discerning audience. The instrumental set (originally recorded by Mike Theodore and Bryan Dombrowski) captures Detroit's soul-jazz scene at a creative lift-off point. "Fuzz," one of two originals, highlights the band's effortless ability to create a unique language from soul-jazz, funk, and psychedelic rock. Coffey's distinct phrasing puts the blues in everything. Woodard's imaginative chord colors and whomping vamps are an excellent foil and Davis is the hub with skittering, driving breaks. The other, "The Big D," is saturated in Coffey's snaky wah-wah pedal leads amid choppy, swirling B-3 chords and Latin-tinged rimshots. The trio virtually reinvent pop and soul tunes from the era as platforms for extended -- and funk-drenched -- jazz improvisation, all with a distinct, historic, Detroit signature. Jimmy Webb's "By the Time I Get to Phoenix" is revisioned through the lens of soul as Coffey takes massive liberties with the melody, propelling it into a different harmonic space without completely abandoning it. The interplay between him and Woodard extends the rhythmic ledge through several startling changes. Their aggressive and imaginative solos never sacrifice groove; besides, it's ensured by Davis, who is always in the pocket. Bacharach and David's "The Look of Love" expands on the Sergio Mendes version. They alter its phrasing and rhythmic approach sharply, transforming it into a stratospheric jazz jam before bringing it back down to earth. The reading of "Casanova (Your Days Are Over)," by singer Ruby Andrews (Coffey played on the Top Ten single), is a riff and vamp orgy as guitarist and organist trade meaty, masterly solos throughout. They travel through funk, blues, jazz, and soul in alternate stages, with Davis adding tasty breaks, accents, rolls and fills. Herbie Hancock's "Maiden Voyage" is relatively straight, but here too, tempo alterations and harmonic subtleties manage to expand its structure and add something new. "Wade in the Water" is a Motor City-styled tribute to the hit Ramsey Lewis version, led by a swelling, gospelized organ. The tight snare breaks and biting funky blues guitar make it a fingerpopping closer chock-full of grease and grit. Given the age of its source tape, the sound on this nugget is remarkably good; each instrument is clear, and even with the tapes' deterioration, the club ambience is felt. The booklet contains copious liner notes, rare photos, and an interview with Coffey. This is a burner from start to finish, enjoyable for anyone with a pulse. ~ Thom Jurek |
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| Magnet - "Boasting a fleet, dexterous sound that used fuzztone, wah-wah and echoplex, Coffey was featured on numerous latter-era Motown recordings as well as lesser labels like Westbound, Sussex and Maverick." |
| Rovi |
収録内容
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・構成数 | 1 ・合計収録時間 | 00:53:42 1.CD
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