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Mario Batkovic
Mario Batkovic 「Mario Batkovic」 CD
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【販売店・発送】 タワーレコード株式会社
商品の情報
| 発売日：2017年03月17日 / ジャンル：ROCK/POP / フォーマット：CD / 構成数：1 / 製造国：輸入 / レーベル：Company Records / SKU：5051083110990 / 規格品番：INV165CD |
商品の紹介
| エクスペリメンタル・アコーディオン奏者、マリオ・バトコビッチがデビュー・フル・アルバムをInvada Recordsよりリリースすることがわかった!アコーディオンが持つ可能性を最大限に発揮した、とても魅惑的でユニークな作品がここに誕生している。今まで聴いたことのない、豊かで強烈な振動と変化を繰り返す音。奥深くに存在する感情を鷲掴みにするような、心を奪い、魅了させるメロディ。この作品は、ニールス・フラーム、ステファン・オマリー、ビーク、コリン・ステットソンやルボミール・メルニクのファンに是非届けたい。 |
| 発売・販売元 提供資料（2017/03/10） |
| On paper alone, Bosnian-born Swiss artist Mario Batkovic's self-titled record sounds like a curious project. It's essentially a solo accordion effort from a classically trained musician that has found its release through Geoff Barrow's (Portishead, Beak>) Invada label. The meeting of a very forward-facing modern artist's label with the traditional instrumentation of Batkovic's music might seem incongruous. But just as Barrow was so taken with the accordionist's music on hearing him live that it led to inviting him to support Beak> on tour, listening to this record usurps whatever preconceived notions you may have. Batkovic has dragged what may be perceived as an old-fashioned instrument gloriously into the 21st century. Opener and lead single "Quatere" hints at, but doesn't fully reveal, the extent of Batkovic's exploration of what his chosen instrument can do. Although it's a display of virtuoso playing, it sounds more familiarly like an accordion piece, albeit an extraordinary one. The further you delve into this self-titled record, the more Batkovic manipulates the instrument to make the most unexpected sounds. The urgently paced "Restrictus" builds to a brief section where his accordion appears to be producing an '80s computer game soundtrack -- quite a feat when working with this modest tool. Similarly, "Semper"'s church organ-like beginning is developed into a multitude of layers that often resembles modular synth sounds, and "Machina"'s bright, lively, and animated arc follows the rhythms of a dance track. Each composition covers a huge amount of ground, not least the heroic "Ineunte," which lies at the heart of the record. Over the nearly 13-minute running time, it negotiates maximalist frenzies and minimalist breaks on its epic journey. The steady, then eventually frantic build does all it can to get the blood pumping, and it succeeds admirably. His experiments echo artists like Colin Stetson and Lubomyr Melnyk, if only in the dedication to solo instrumentation, with staggering breadth. But much like those two artists avoid making their own music purely technical and cerebral experiments, Batkovic has infused this work with solid emotional weight. Technically, this record is a marvel, but it's also consistently stirring, as on "Desiderii Patriae," which hauntingly plays out like a ghostly lament, where transient notes drift in and out. On "Eloquens," his higher notes create a vibrato that feeds into the drama of the piece, and "Gravis" opens out into the record's most melodically evocative moment. To listen to Batkovic's record is to realize what Barrow must have done on first discovering his music: that his forward-facing approach to an unfashionable instrument is less incongruous than it is wonderful. He has made a highly accessible, yet uniquely singular work, whose reach is far greater in scope than the sum of its parts. ~ Bekki Bemrose |
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| Clash (Magazine) - "Every one of the nine tracks on this record is a gripping, edge-of-your-seat experience." |
| Rovi |
収録内容
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・構成数 | 1 ・合計収録時間 | 00:56:57 1.CD
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