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Original Soundtrack
Original Soundtrack 「Avatar」 LP
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【販売店・発送】 タワーレコード株式会社
商品の情報
| 発売日：2022年12月09日 / ジャンル：サウンドトラック / フォーマット：LP / 構成数：2 / 製造国：輸入 / レーベル：Music On Vinyl / SKU：8719262002197 / 規格品番：MOVATM117 |
商品の紹介
| The score for director James Cameron’s epic 3-D sci-fi adventure Avatar was composed by longtime collaborator James Horner, who won an Oscar for his work on the director’s 1997 blockbuster, Titanic. Never one to shy away from familiar motifs, the vaguely wistful, mostly magical main theme that weaves its way throughout the film relies unapologetically on the composer’s Titanic love theme (try humming the first three notes of the chorus to the Horner-penned Celine Dion smash "My Heart Will Go On"), but the overall feel of the score owes more to Ennio Morricone's iconic work on The Mission, utilizing an atmospheric blend of native drums and choirs with lush, traditional adventure orchestration. The album is rounded out with Leona Lewis' torch ballad "I See You." ~ James Christopher Monger |
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| James Cameron's film Avatar, to judge by its record-breaking commercial take, has managed to communicate with viewers on a basic level. Its story, even its critical defenders concede, is a mishmash of elements borrowed from a half-dozen earlier films, most notably Dances with Wolves, and the score by James Horner might be similarly charged. The segements relating to the Na'vi world, taken by themselves, are a uniquely unappetizing mixture of Debussy and Vaughan Williams; the scenes relating to the Earth's military invasion are, like so many other battle scenes these days, near-pure Carl Orff. The technological scenes are not too far off from futuristic television scores of the sort that Horner and others have written, with lots of slinky strings and quartal harmonies. The thing is, all this isn't a flaw, it's a strong point. Stop a dozen viewers coming out a showing of Avatar and ask them about the music; guaranteed, most of them will say they didn't notice it. That's one of the things that makes a good film score : they're supposed to operate at a subconscious level. Horner's score works precisely because it gets to you before you realize what's happening, because, despite the episodes of bombast, it actually stays out of the way of the action. Thus, it helps direct the listener's attention to the aspect of the film that is anything but trite: its awe-inspiring use of technology, which is seamless in its altogether original conception. Would Avatar have been a better film if Horner had experimented with organic patterns, Stockhausen, and German techno? Not a chance. |
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収録内容
・構成数 | 21.LP
1.LP
2.LP
2.LP
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