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Wallace Roney
Blue Dawn - Blue Nights CD
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商品の情報
| 発売日：2019/09/18 / ジャンル：JAZZ / フォーマット：CD / 構成数：1 / 製造国：輸入 / レーベル：High Note Records / SKU：632375731823 / 規格品番：HCD7318 |
商品の紹介
| Wallace Roney's eighth album for the HighNote label, 2019's Blue Dawn-Blue Nights, finds the trumpeter collaborating with a cadre of young lions and balancing dusky after-hours warmth and propulsive post-bop modalism. The album comes three years after the similarly expansive A Place in Time, which featured veterans Gary Bartz, Lenny White, and Patrice Rushen. From that album, only White returns here, playing on half of Blue Dawn-Blue Nights. He and Roney are also joined by an invigorating ensemble including Roney's nephew drummer Kojo Odu Roney, tenor saxophonist Emilio Modeste, pianist Oscar Williams II, and bassist Paul Cuffari. Somewhat of a departure from Roney's past work, Blue Dawn-Blue Nights features songs written by his bandmates, along with a handful of deftly curated covers. The result is a surprisingly cohesive album that benefits from each player's unique yet clearly like-minded point-of-view. Roney opens the album with keyboardist Wayne Linsey's roiling, R&B-inflected "Bookendz." A longtime friend of Roney's, Linsey wrote songs for Miles Davis, and "Bookendz" certainly brings to mind Davis' fusion period with both White and Odu Roney supplying the song's kinetic rhythm. Shifting gears, the band eases into the yearning ballad "Why Should There Be Stars," which works as a showcase for Roney's plaintive lyricism. Contrasting that is White's funky "Wolfbane," a circular groover in which Roney smears and glides against the drummer's dynamic percussion waves. Also compelling is the group's reading of David Liebman's dissonant mid-tempo swinger "New Breed." Originally recorded by Elvin Jones for his 1973 date Mr. Jones, here the melody is played with Harmon-muted intensity by Roney and Modeste. Elsewhere, they sink into "Don't Stop Me Now," a slow-burning R&B slow jam culled from Miles Davis' '80s period, and again evoke Davis' late-'60s quintet on Williams' impressionistic modal piece "In a Dark Room." Closing the album are two of Modeste's compositions, beginning with the driving "Venus Rising" and finishing with the far-eyed "Elliptical," both of which benefit from Roney and his band's burnished harmonic textures. ~ Matt Collar| |
| Rovi |
| マイルスの再来と言われて久しい、ウォレス・ルーニーの新作! 次世代を担う若手を中心に繰り広げる溌剌とした演奏に注目 レニー・ホワイト(ds)も参加したアコースティック、ストレイト・アヘッド作品。 High Note レーベルからは3年振りとなるフィラデルフィア生まれのトランぺッター、ウォレス・ルーニーの最新アコースティック、ストレイト・アヘッド作品が登場。 16歳でジャズ界にデビューし、リーダー作を21作発表している。マッコイ・タイナー、ディジー・ガレスピー、エルヴィン・ジョーンズ、チック・コリア等と共演を重ね、ジャズ・シーンに大きな影響を与えた。最晩年のマイルス・デイビスのバンドでも演奏、"マイルスの再来"とも言われた。 本作もアコースティック・サウンドにこだわり、ネクスト・ジェネレーションを担う若手のメンバーをバックに堂々としたスリリングな演奏を展開している。マイルスのビッチェズ・ブリューに参加したドラマー、レニー・ホワイトが4曲に参加したことでバンド・サウンドの厚みが増した。マイルスを彷彿とさせる幻想的で美しいバラード曲「Why Should There Be Stars」、デーブ・リーブマンの「NewBreed」から若手メンバーの手による新しいサウンドまで8曲を収録、ジャズの未来を垣間見ることができる作品である。 録音はニュー・ジャージーのルディ・ヴァン・ゲルダースタジオ。長年ヴァン・ゲルダーのアシスタント・エンジニアとして働いていたモーリン・シックラーが録音を担当している。アコースティックな楽器の音を知り尽くした見事な録音にも注目である。 |
| 発売・販売元 提供資料（2019/08/06） |
| Wallace Roney's eighth album for the HighNote label, 2019's Blue Dawn-Blue Nights, finds the trumpeter collaborating with a cadre of young lions and balancing dusky after-hours warmth and propulsive post-bop modalism. The album comes three years after the similarly expansive A Place in Time, which featured veterans Gary Bartz, Lenny White, and Patrice Rushen. From that album, only White returns here, playing on half of Blue Dawn-Blue Nights. He and Roney are also joined by an invigorating ensemble including Roney's nephew drummer Kojo Odu Roney, tenor saxophonist Emilio Modeste, pianist Oscar Williams II, and bassist Paul Cuffari. Somewhat of a departure from Roney's past work, Blue Dawn-Blue Nights features songs written by his bandmates, along with a handful of deftly curated covers. The result is a surprisingly cohesive album that benefits from each player's unique yet clearly like-minded point-of-view. Roney opens the album with keyboardist Wayne Linsey's roiling, R&B-inflected "Bookendz." A longtime friend of Roney's, Linsey wrote songs for Miles Davis, and "Bookendz" certainly brings to mind Davis' fusion period with both White and Odu Roney supplying the song's kinetic rhythm. Shifting gears, the band eases into the yearning ballad "Why Should There Be Stars," which works as a showcase for Roney's plaintive lyricism. Contrasting that is White's funky "Wolfbane," a circular groover in which Roney smears and glides against the drummer's dynamic percussion waves. Also compelling is the group's reading of David Liebman's dissonant mid-tempo swinger "New Breed." Originally recorded by Elvin Jones for his 1973 date Mr. Jones, here the melody is played with Harmon-muted intensity by Roney and Modeste. Elsewhere, they sink into "Don't Stop Me Now," a slow-burning R&B slow jam culled from Miles Davis' '80s period, and again evoke Davis' late-'60s quintet on Williams' impressionistic modal piece "In a Dark Room." Closing the album are two of Modeste's compositions, beginning with the driving "Venus Rising" and finishing with the far-eyed "Elliptical," both of which benefit from Roney and his band's burnished harmonic textures. ~ Matt Collar |
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収録内容
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・構成数 | 1 ・合計収録時間 | 00:53:23 1.CD
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