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Original Soundtrack
Sweeney Todd: The Demon Barber of Fleet Street LP
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5,790
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【販売店・発送】 タワーレコード株式会社
商品の情報
| 発売日：2020年12月18日 / ジャンル：サウンドトラック / フォーマット：LP / 構成数：2 / 製造国：ヨーロッパ盤 / レーベル：Nonesuch / SKU：075597920154 / 規格品番：7559792015 |
商品の紹介
| NONESUCHの名盤が続々アナログで登場! スティーヴン・ソンドハイム&ヒュー・ホィーラーの傑作ミュージカルをティム・バートン監督がジョニー・デップ主演で映画化した話題作映画『スウィーニー・トッド フリート街の悪魔の理髪師』のサウンドトラックも2枚組アナログLPで初登場! NONESUCHからリリースされた名盤が続々アナログで復刻!初アナログ化作品や限定盤のみでリリースされた作品を多数含む待望のラインアップで登場だ! 【STEPHEN SONDHEIM / SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (THE MOTION PICTURE SOUNDTRACK)】 スティーヴン・ソンドハイム&ヒュー・ホィーラーの1979年トニー賞受賞ミュージカル作品をティム・バートン監督、ジョニー・デップ主演で映画化した『スウィーニー・トッド フリート街の悪魔の理髪師』。2007年に公開され、大きな話題を集めたこの映画のサウンドトラックが初アナログLP化となる。 ロンドンの理髪師だったスウィーニー・トッドが、彼の幸せを嫉んだ判事によって妻と子を奪われ、凶行に走る。彼の復習劇には、商魂たくましい商売人であり、やがてロンドン一美味しいミートパイを売り出す、ミセス・ラヴェットとの過激な関係も含まれる。19世紀の伝説に基づいたこのミュージカル映画のサウンドトラックには、ソンドハイムと長年コラボレートしている編曲者、ジョナサン・テュニックと音楽監督、ポール・ジェミニャーニも参加。プロデュースを手掛けるのはマイク・ハイアムであり、レコーディングはロンドンで行われた。またジョニー・デップをはじめ、出演キャストが全員自分で歌っている。 |
| 発売・販売元 提供資料（2020/11/27） |
| Stephen Sondheim's 1979 Broadway musical Sweeney Todd has been hailed as the composer's best work and the best musical of its decade, if not of the last three decades of the 20th century. It has been revived frequently and, as a work that straddles the line between musical theater and opera, adopted for the repertories of opera companies. When a stage musical is adapted into a motion picture, it is often the case that the score is given a bigger treatment. Broadway shows use a limited number of musicians, and, due to union regulations, Broadway cast albums tend to be recorded in a single day by casts also performing the music eight times that week on-stage. When the same score gets to Hollywood, producers often employ much larger orchestras and more elaborate recording techniques, for better or worse. Something like the opposite seems to have happened with director Tim Burton's 2007 film version of Sweeney Todd. Burton has cast the movie with actors not previously known as singers, starting with his frequent collaborator Johnny Depp (the two previously paired on Edward Scissorhands, Ed Wood, Sleepy Hollow, and Charlie and the Chocolate Factory), and also including Helena Bonham Carter (Burton's common-law wife) in the principal roles of Sweeney Todd and the pie shop proprietress Mrs. Lovett, plus Alan Rickman and comedian Sacha Baron Cohen (from the film Borat). To accommodate these performers, Sondheim orchestrator Jonathan Tunick has done some serious transposing of the score to bring the songs into the limited vocal ranges at hand. In this version, no one will confuse Sweeney Todd with an opera. Depp turns out to have a reasonable middle tenor, which makes for a very different Sweeney as compared with the baritones who usually essay the part on-stage. It might also cause some confusion with the secondary part of Anthony (Jamie Campbell Bower), if Depp did not adopt the same lower class British accent he used in the Pirates of the Caribbean movies. He also speak-sings his way through as much of the musical material as he can get away with. Bonham Carter does somewhat better, although she's no competition to previous Mrs. Lovetts such as Angela Lansbury and Patti LuPone. Much the same thing can be said about the rest. On a soundtrack album, the comparisons with stage performers are inevitable, but they shouldn't trouble moviegoers very much. Other associations may cause titters, however. Rickman sounds much as he did in the Harry Potter movies, and when he and Depp modestly mutter their way through the lovely ballad "Pretty Women," it's like hearing Captain Jack Sparrow in a duet with Professor Severus Snape. There are two editions of the soundtrack. The regular one eliminates some minor music from the score, notably including "The Ballad of Sweeney Todd" (which is, however, used instrumentally as "Opening Title"). The highlights disc does not include the lyric booklet and deletes the short "Alms! Alms!," "Ladies in Their Sensitivities," and the lengthy "Final Scene," which consists of reprises of previously heard songs and some more killings to add to the pile in this musical Grand Guignol. Some dialogue is also edited in the highlights version. (In the marketing environment of 2007, the makers of the soundtrack are to be commended for not introducing a gratuitous new composition in the end credits just to have a potential Oscar contender for best song, and for not including karaoke versions of the songs on the album.) ~ William Ruhlmann |
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収録内容
・構成数 | 21.LP
1.LP
2.LP
2.LP
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