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The Allman Brothers Band
The Allman Brothers Band 「Final Note」 CD
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【販売店・発送】 タワーレコード株式会社
商品の情報
| 発売日：2020年10月16日 / ジャンル：ROCK/POP / フォーマット：CD / 構成数：1 / 製造国：輸入 / レーベル：Allman Brothers Band / SKU：821229000202 / 規格品番：ABBR202 |
商品の紹介
| オリジナル・オールマン最後のLIVE音源! デュアン・オールマンが交通事故で亡くなる12日前、1971年10月17日に米メリーランド州オーウィングス・ミルズで行われたコンサートから7曲を収録。マスターテープは当時ラジオ・ジャーナリストだった青年のカセット・テープながら、現代の技術の進歩によって奇跡的に復元。デュアン・オールマン在籍時の貴重な発掘音源としてマスター・ピース化されるでしょう。 (C)梅田大阪マルビル店:松島 友裕 |
| タワーレコード（2020/10/30） |
| デュアン・オールマンが亡くなるわずか12日前、オリジナルAllman Brothers Band最後のオフィシャルライブ音源。 |
| 発売・販売元 提供資料（2020/10/27） |
| By 1971, the Allman Brothers Band had released two acclaimed but modest-selling studio albums: their self-titled 1969 debut and 1970s Idlewild South. In July, the double, live At Fillmore East finally brought them the sales figures and critical recognition they deserved. They wrapped a coast-to-coast tour at Marylands Painters Mill Music Fair in October. Just 12 days after this show, guitarist Duane Allman was killed in a motorcycle accident; this is his final performance. The Final Note is a strange ABB curio. Its source is a single cassette tape recorded by 18-year-old aspiring radio journalist Sam Idas. He was there to interview Gregg Allman and decided to test his new machine by capturing the bands set from the audience on a 60-minute cassette. It sat until 2014, when a friend inquired about it. After locating it, a cousin made him aware of its historical significance. Idas turned it over to the ABB organization, who cleaned it up as much as possible for release. The bands eight-song performance is deeply satisfying musically. From top to bottom, they leave everything on the stage, with no letup. Guitarists Duane and Dickey Betts had fully developed their seamless interplay, Greggs singing and playing were expressive and inventive, and the rhythm section -- bassist Berry Oakley and drummers Jaimoe and Butch Trucks -- had created their trademark groove-centric approach. Sonically, this is only a fair bootleg audience recording. There are distortions -- especially in Oakleys bass levels -- and sometimes thin-sounding drums. No matter. Among the highlights is a ferocious reading of Statesboro Blues with Gregg testifying as much as singing. The slide work by the guitarists is over the top and tight. Trouble No More is a wrangling Southern-fried boogie with killer crescendos. One Way Out may be the funkiest reading of the tune in existence. Performed in cut time, Gregg sings like a man possessed, while Dickeys blues fills rage between his lines. The relatively brief, six-minute version of In Memory of Elizabeth Reed is a stunner as it moves through snaky blues, modal jazz, and improvisation with guest saxophonist Juicy Carter. Oakleys distorted bass run introduces a 13-minute closing version of Whipping Post that offers Greggs best singing here. He sounds deeply wounded, bewildered, and aggrieved, digging deep for every ounce of emotion. The bands jamming exchanges and tempo shifts are loose and confident, delivered in scorching overdrive. Greggs power chords on the Hammond egg on both guitarists. They go after one another, then accent one anothers lines, entwining until the end. The stage dialogue is funny and pertinent, as it laments the bands brief allotment of playing time and/or jestingly chides audience members for being on drugs. The booklet contains rare photographs and a historical liner essay from John P. Lynskey. If you can forgive the somewhat dodgy sound, The Final Note is an essential addition to ABB lore and captures the band at their kinetic best. ~ Thom Jurek |
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収録内容
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・構成数 | 1 ・合計収録時間 | 00:49:23 1.CD
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