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MC Solaar
MC Solaar 「Qui Seme Le Vent Recolte Le Tempo」 CD
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2,690
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【販売店・発送】 タワーレコード株式会社
商品の情報
| 発売日：2021年08月27日 / ジャンル：SOUL/CLUB/RAP / フォーマット：CD / 構成数：1 / 製造国：輸入 / レーベル：Universal Music France / SKU：602435990279 / 規格品番：3599027 |
商品の紹介
| The debut disc from MC Solaar is a clear signal that quality hip-hop can exist outside the U.S. and the English language barriers. Most of his lyrics read as "I'm the man" MC boasts and shout-outs to the Paris hip-hop crew, but the French rapper has superb flow and a masterful producer in Jimmy Jay, an absolute natural when it comes to creating sonic pastiches/collages to fit the lyrics. It's French hip-hop and therefore a softer, gentler sound with the music more on the acid jazz tip to match the rhythm and flavor of Solaar's native tongue. The title track immediately alerts you to the difference -- the rapid but never rushed delivery works off the rhythms of active, chopping drums anchoring a full arrangement topped by organ fills and flavored by sax near the end. Solaar is far from one-dimensional, adeptly adopting a conversational tone ("Victime de la Mode" on a fashion victim theme), changing up vocal tempos (the low-key "A Temps Partiel," a slick segue from the brief, jazzy-with-acoustic-bass "Interlude"), and leaving more open spaces in the forceful "Quartier Nord." He whispers the lost-love tale "Caroline" while Jimmy Jay enhances the melancholy mood with mournful strings and his customary attention to detail and dynamics (listen for the near-subliminal organ). The producer's like that, very smoooove but also deceptive in that there's always a lot going on in the arrangements underneath. "Armand Est Mort" gets a laid-back feel from the sax solo, and a single, mood-creating piano chord echoes "Inner City Blues" enough to make you wonder if that's a fragmentary sample of Marvin Gaye's voice popping up there in the background. But the funk front isn't neglected -- "L'Histoire de l'Art" has clavinet licks and horns over turntable scratches, "Matiere Grasse Contre Matiere Grise" sports an early-'70s, JB-ish funk backing with wah-wah guitar and upfront drums (and a lyrical day-in-the-life reflection on Paris and the world). And the '70s funk groove for "La Musique Adoucit les Mouers" works from a bass/drums spine with scratching and keyboard sounds while "Bouge de La" goes off from direct drum drive and bass funk before part two injects skank organ and dubbed-out toasting. It makes for a good transition to the quasi-duel of motormouths on "Ragga Jam," probably good for lighting up audiences live, but just lightweight here, and it brings the momentum to Qui Seme le Vent Recolte le Tempo a halt. But it's an impressive debut and important historically -- by pairing a rapper and producer in perfect sync with one another, it gave early French hip-hop a sound and tone of its own from the beginning. ~ Don Snowden |
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収録内容
・構成数 | 11.CD
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