1/1
時点_ポイント最大2倍
Ferry Djimmy
Ferry Djimmy 「Rhythm Revolution＜Red Vinyl＞」 LP
販売価格
5,990
円 （税込）
- 出荷目安：
- 当日-翌日出荷
たまるdポイント（通常） 54
+キャンペーンポイント（期間・用途限定） 最大1倍
※たまるdポイントはポイント支払を除く商品代金(税抜)の1％です。
※表示倍率は各キャンペーンの適用条件を全て満たした場合の最大倍率です。
各キャンペーンの適用状況によっては、ポイントの進呈数・付与倍率が最大倍率より少なくなる場合がございます。
dカードでお支払ならポイント3倍
各キャンペーンの適用状況によっては、ポイントの進呈数・付与倍率が最大倍率より少なくなる場合がございます。
マークは試聴できる楽曲です。
- 商品情報
- レビュー
【販売店・発送】 タワーレコード株式会社
商品の情報
| 発売日：2023年01月20日 / ジャンル：WORLD/REGGAE / フォーマット：LP / 構成数：1 / 製造国：輸入 / レーベル：Acid Jazz / SKU：5051083184519 / 規格品番：AJXLP633R |
商品の紹介
| Ferry Djimmys Rhythm Revolution from Benin is one of the rarest examples of African funk to emerge from the 1970s. Independently recorded at Cotonous Satel Studio, only about 200 copies survived a fire. Its scarcity is one reason it hasnt seen reissue until now. Englands Acid Jazz label has painstakingly remastered the original eight-track album from physical sources (no tapes remain) and packaged it with eight bonus cuts drawn from Djimmys singles. Rhythm Revolution was recorded at the same time Fela Kuti and Tony Allen were wedding hard core funk, out jazz, and militant politics in Afrobeat. Djimmy, a multi-instrumentalist, former schoolteacher, and boxer, was hanging out with friends Fela and Benins president, Matheiu Kerekou. Both loved his music, and Kerekou provided him with a small budget to record this album. Its proceeds were to be donated to charity. Kerekou arranged airplay and ordered his cabinet ministers to buy multiple copies. Nonetheless it failed. The iconic cover art by Djimmys artist friend Gratien Zossou perfectly captures this period of the African liberation struggle. Though the set is credited to Ferry Djimmy and Dji-Kins, the leader sought to stretch the budget and played almost all the instruments himself. Djimmy was no stranger to the innovative sounds coming from the U.S. at the time. He loved James Brown, War, Santana, the Meters, Jimi Hendrix, and Parliament-Funkadelic. He wove these influences -- as well as Kutis -- in. Go no further than the extremely dirty wah-wah guitar funk in opener "Be Free." It truly sounds like Hendrix playing on Miles Davis Tribute to Jack Johnson. "When I Come in the Road" carries an English title, but its lyrics -- and the rest -- are in Yoruba, as the music expands on harmonic and rhythmic concepts in the Meters Fire on the Bayou. "Yong Revolution" juxtaposes Stax Volt-style funk with Latin rhythms and soul. Its an anthem of syncopated beats, hypnotic singing, and wailing, revue-style horns. "Atinga" is primitive Afrobeat appended by soul-jazz piano (a la Ramsey Lewis) atop furious horn and rhythm sections. Original closer "Ichango" combines Afro-Cuban rhythms and Afrobeat in a hurricane of B-3 as Djimmy chants feverishly over the pummeling groove. "A Were We Coco" and "Egbemi Black" were officially released as one of two singles he cut in Paris in 1972. The formers driving bassline bridges the sexy call-and-response between singer and horns before whomping snare and a frenetic wah-wah guitar join in. The other single, "Oluwa Loranmi Nichai" b/w "Toba Walemi," weds Cotonou-style club R&B with Browns late-60s funk grooves, as well as hypnotic guitars, snaky snare breaks, and circular horn vamps under a raspy vocal. Though Djimmy appropriates, combines, and filters many inspirational sources on Rhythm Revolution, what emerges from these intense, raw jams, is an idiosyncratic yet profound political and aesthetic vision thats at once dangerous, incendiary, and eternally relevant. Dont sleep on this. ~ Thom Jurek |
| --- |
| 元ボクサーで、モハメド・アリやフェラ・クティの個人的な友人でもあり、後にジャック・シラクのパボディーガードとなったフェリー・ジミー。ベナンの共産主義革命のためにレコーディングされた希少で実にユニークなアフロビートのレコード。 ベナンの共産主義革命のためにレコーディングされた『Rhythm Revolution』は、希少で実にユニークなアフロビートのレコードで、オリジナルのリリースは200枚しか残っていないと噂されている。Ferry Djimmyは学校の先生であり、元ボクサーで、Muhammad AliやFela Kutiの個人的な友人でもあり、後にJacques Chiracのパーソナルなボディーガードとなった。コトヌーのスタジオ、Satelでレコーディングされたこのアルバムは、アフリカの生のリズム、ディストーション、エネルギー、ウィットが備わった、タフでワイルド、そしてディープなアフロ・ファンクの作品だ。 |
| 発売・販売元 提供資料（2023/01/06） |
収録内容
・構成数 | 11.LP
|