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Sally Potter
Sally Potter 「Anatomy」 CD
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商品の情報
| 発売日：2025年05月02日 / ジャンル：ROCK/POP / フォーマット：CD / 構成数：1 / 製造国：輸入 / レーベル：Bella Union / SKU：5065019688620 / 規格品番：BELLA1647CD |
商品の紹介
| In 2023, at age 73, film director Sally Potter released Pink Bikini, her singer/songwriter debut album. Its songs revolved around her growing up a young female activist and rebel in London during the 1960s. Potter is well known for composing and recording her own film scores -- Orlando, The Tango Lesson, The Roads Not Taken among them -- and her musical pedigree dates to the 1970s with Lindsay Coopers various groups including the Feminist Improvising Group. Anatomy, from Bella Union, is a song cycle that charts "the passionate love, destructive human behaviours, spiritual longings, physical dependencies and rampant exploitation that make up our turbulent love affair with the planet we inhabit." She enlisted Marta Salogni as co-producer and a band that includes guitarist and longtime collaborator Fred Frith, drummer Valentina Magaletti, pianist Liam Dunachie, Kieran Leonard on bodhran, electric bassist Ben Reed, upright bassist Misha Mullov-Abbado, violinist Viktoria Mullova, and cellist Matthew Barley, with tuba, trumpet, and, on loan from the London Contemporary Orchestra, three double basses and three French horns. Strummed guitar, violin, and piano nostalgically introduce the opening title track, and Potter sings: "When I breathe Im the forest/When I sigh I am the breeze/When I eat I am the harvest/When it snows in winter I freeze/The earth is my body/Skin muscle and bones/She is not mine but I am hers/And hers alone." Piano gently cascades above Friths electric guitar, in a parlor song transformed into manifesto. "Coming Home" borrows from the cabaret song architecture. Its a cut-time recall of the protagonists rich life, now spent in solitude. "Words" could be a song from a dramatic play. Its slippery cello, piano, and upright bass frame Friths spindly guitar phrases as Potter half sings/half speaks a narrative about the weight of words. "My Earth," an homage to the planet, is darkly tinged exotica. It gives way to a brief collision between Bo Diddleys signature riff, blues, and garage rock on "Carmageddon." The sprightly jazz-blues in "Walk Away" is a swinging choogle with ruggedly poetic lyrics. "Come Back" is full of doubt, pain, love, grief, and loss, entwined in a haunted, mysterious narrative. "Honey," the most searingly tender of these songs, observes loss and wonders if they constitute a call to arms. The sets final two tracks, "Elegy" and "The Fall," are both benedictions. In the former, bowed cello, violin, three double basses, and guitars frame a reverb-laden prayer for our earth and its inhabitants. The latter, introduced by a dramatic piano, strings, and French horns, finds Potter singing about spirits that hover after waking from a dream. They embrace, then push her into observations about history and the various peoples of the earth, the environment, and the poignancy of aging. Anatomy is masterful. Perfectly paced, gorgeously orchestrated and produced, its a major work composed of gritty beauty, intention, realization, and hope; it belongs on the shelf next to albums by Virginia Astley, Marianne Faithfull, and Patti Smith. ~ Thom Jurek |
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収録内容
・構成数 | 11.CD
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