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Lil Wayne
Lil Wayne 「Tha Carter VI」 LP
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5,790
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【販売店・発送】 タワーレコード株式会社
商品の情報
| 発売日：2025年06月13日 / ジャンル：SOUL/CLUB/RAP / フォーマット：LP / 構成数：1 / 製造国：輸入 / レーベル：Republic / SKU：602478175558 / 規格品番：7817555 |
商品の紹介
| 2018年にリリースされた「Tha Carter」シリーズ第5作から7年。 ヒップホップ界で最も期待され、最も成功を収めたブランドとして確立したシリーズの最新作は、リリース発表とともに多くのメディアで大きく取り上げられ話題となっています。LP仕様。 |
| 発売・販売元 提供資料（2025/04/30） |
| Lil Wayne is one of the most well-known, well-loved, and continuously active rappers of all time, and he’s historically reserved his most developed, personally reflective material for his Tha Carter series. Beginning with the first volume in 2004, Wayne found a middle ground between his electric mixtape impulsivity and the more considered production of his studio albums, and subsequent entries in the series were easily some of his best material. The series set a high bar for the self-proclaimed “best rapper alive,” and new chapters became events that fans looked forward to with an excitement that went beyond that of just another new album. Tha Carter VI comes seven years after the solid Tha Carter V, and five years after Lil Wayne’s proper studio album Funeral. As has become customary with the series, it’s a reflective surface of where Weezy is in 2025, and here he lands on confusion more often than the effortless magic of his earlier days. When the songs work, they’re great. “Cotton Candy” flips a saxophone-heavy bubblegum pop song into a relaxed, fluid beat that Wayne brings an A-game flow to while 2 Chainz drops in for an equally fun verse. The video game-instrumental of “Peanuts 2 N Elephant” is strange but exciting new territory, and “Bells” recalls LL Cool J’s early hip-hop classic “Rock the Bells,” refitting the beat with Wayne’s stream-of-consciousness, rapid-fire bars. A singalong hook from BigXthaPlug on the bass-heavy banger “Hip Hop” adds just enough catchiness to make it work in either the club or on the radio. Lil Wayne’s early mentor Mannie Fresh produces the soul-sampling “Bein’ Myself,” and his presence on the track is a nostalgic reminder of his role in making the first few volumes of Tha Carter so special. On tracks like these, we’re reminded of Wayne’s power and individuality. His performances are sharp and his lyrics are just as clever, confident, and bizarre as ever. Tha Carter VI misses just a bit more often than it doesn’t, however, and the misses are loud and bewildering. “If I Played Guitar” finds Wayne attempting a misguided type of emo pop over a “Hey There Delilah” type acoustic guitar instrumental. Bono sings a flaccid, would-be triumphant chorus on “The Days,” Jelly Roll garbles through the faux country hook on the barely listenable “Sharks,” and a Weezer song gets recycled for the cruise ship rap of “Island Holiday.” While these inclusions are stunningly bad, the ones that are merely mediocre are somehow more offensive. The entirely forgettable mumbling of “Alone in the Studio with My Gun” (weighted down further by empty features by mgk and Kodak Black) or the ridiculous Aretha Franklin-modeled AI vocals of the bombastic intro “Welcome to Tha Carter” are bad ideas that should never have made it out of the studio. Lil Wayne exhibits glimpses of the brazen genius of his earlier self intermittently on Tha Carter VI, but the album feels like a battle between those moments of greatness and the rest of his weird swings and inadvisable choices. ~ Fred Thomas |
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収録内容
・構成数 | 11.LP
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