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Azymuth
Azymuth 「Marca Passo」 LP
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4,890
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【販売店・発送】 タワーレコード株式会社
商品の情報
| 発売日：2025年06月上旬 / ジャンル：JAZZ / フォーマット：LP / 構成数：1 / 製造国：輸入 / レーベル：Far Out Recordings / SKU：5065007965771 / 規格品番：FARO251LP |
商品の紹介
| Five decades after releasing their iconic eponymous debut album, Brazilian jazz-samba trio Azymuth celebrate the anniversary with Marca Passo, their 40th album. The original group included keyboardist/composer Jose Roberto Bertrami, bassist Alex Malheiros, and drummer Ivan "Mamao" Conti. All sang. Bertrami left to pursue a solo career in 1990, and was replaced on a few albums. He returned for 1996s Carnival, their Far Out Recordings debut. He died in 2012 and was succeeded by Kiko Continentino, a revered Brazilian keyboardist and composer. Mamao died in 2023, leaving Malheiros the only original member. Ubiquitous session drummer/composer Renato "Massa" Calmon came aboard for 2024s international tour and remains. Marca Passo was co-composed by all the members; Daniel Maunick produced and mixed. There are several session players here, including Maunicks father, Jean Paul "Bluey" Maunick. With a gentle Rhodes piano, "Fantasy 82" opens on a bouncy, breezy vamp melding lithe funk, samba, and jazz harmony guided by Malheiros fretless bass. The trio provides airy, wordless backdrop vocals as Continentino delivers a swinging solo atop Massas shimmy and shuffle. "Belenzinho" begins with sparse keyboards and hi-hat before the bassist walks out the vamp. Elements of bossa, Brazilian soul, and contemporary jazz embrace atop a head-nodding beat and the trios scat-like chorale chant before spidery, elegant jazz-funk claims the fore. "Marca Tempo" is a startling example of samba doido (crazy samba) with a fleet rhythmic pace and cascading organ/bass/percussion interplay guaranteed to move the dancefloor. "Last Summer in Rio" features Blueys snaking electric guitar. Its slinky bassline engages with Massas subtle, kinetic rhythm-making. He supports his bandmates motivic changes using atmospheric synths, hushed vocals, and electro-acoustic ambience. "Arabuta" (also appended with an extended remix as a bonus cut), is a sexy, summery groover with layered syncopation, breaks, and ethereal jazz-funk. Samba doido single "Andarai" delivers a frenetic, funky tempo, whispered ghostly voices, and canny rhythmic interplay between Massa and Malheiros. The latter shifts harmony around in his arpeggio-rich solo. Its followed by "Samba Pro Mamao," a celebration of Conti, a giant among Brazilian drummers. Massa is another, and he is easily up to the task with an uptempo drive wedding contemporary jazz and neo-bop to dancefloor samba. Continentinos solo runs right into Malheiros elastic bass; it simultaneously accents crisscrossing drum and percussion polyrhythms and provides ballast for the keyboardist. After the breakdown that introduces its long nadir, guest Jose Carlos Bignora adds a gorgeous soprano sax solo, transforming the tune from samba doido to contemporary jazz-funk. Closer "Togu" is a tender, poignant ballad, unhurried in its exposition, and graceful in presentation. It hosts subtle fills from the bassist, painterly Rhodes piano, and layered snare, hi-hat, and extant percussion. It whispers to a close before the remix of "Arabuta" revs punters up again. Now in their sixth decade, Azymuths musical aesthetic is unchanging yet always evolving. As evidenced by Marca Passo, it pushes their inimitable brand of funky jazz-samba into the future. ~ Thom Jurek |
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収録内容
・構成数 | 11.LP
1.LP
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