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Pickle Darling
Pickle Darling 「Battlebots」 CD
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2,690
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【販売店・発送】 タワーレコード株式会社
商品の情報
| 発売日：2025年09月05日 / ジャンル：ROCK/POP / フォーマット：CD / 構成数：1 / 製造国：輸入 / レーベル：Father/Daughter Records / SKU：792671669173 / 規格品番：FD139 |
商品の紹介
| ニュージーランドのアーティストLukas Mayoによるプロジェクト。前作『Laundromat』がMojoやRolling Stone Australia、The Line of Best Fitなどで称賛された。ギターをただ弾くのではなく、1音ずつ録音し、それを一音ずつ並べていった。曲は伸ばされ、刻まれ、逆再生もされた。ある曲は「聴けないゴミ」から始まったが、予期せぬ美しさに変貌した。のアルバムはシステムのグリッチ(誤作動)に感じられ、過去の制約に抗いながら、新たなものを創る奇妙で美しい混沌を受け入れている。 |
| 発売・販売元 提供資料（2025/07/29） |
| For their fourth Pickle Darling album, New Zealand indie pop songwriter and recording tinkerer Lukas Mayo took an even more deconstructive approach than usual to their process. Their extensive stash of digital files containing things like voice memos, drum loops, and sampled guitar notes that had been chopped up, stretched out, and reversed for the album even caused Mayos laptop to peter out and refuse to open files. Working with what they could recover seemed fitting for Bots, because the songs were about conflict, collapse, and things breaking down in general. The resulting effect is not as heavy-handed as this may sound, as, rather than sounding overtly chopped and screwed, it arrives at something much closer to a whimsical and weary set of dreamy lullabies. A voice memo from songwriter Ava Mirzadegan is featured heavily in the opening track, "Obsolete," a song that introduces Bots palette of (what sound like) toy instruments and household objects, glockenspiel, Casio tones, dampened acoustic guitar, and scanty bass drum and percussion. Distorted vocals are another instrument in the toolbox, although Mayos voice is often raw and exposed. When their gentle, resigned voice eventually enters in response to the despairing voice message, Mayo compares their own brain and body to a malfunctioning storage unit and control panel ("Every part of me/Says my hardware is obsolete"), over softly strummed guitar and twinkling bell timbres. Much of the album continues in kind, with subtler details revealing themselves with repeat listens, and with slightly shifting moods, like on the relatively more upbeat "Human Bean Instruction Manual," which adds bass guitar, snare, closed hi-hat taps, and more assertive keyboard lines to the mix. "Massive Everything" borders on indie hip-hop, if one that only exists on an amusement park kiddy ride. (Meanwhile, the latter songs very grown-up lyrics grapple with existential ideas like "I know that it feels like youre watching your life lived out by somebody else.") As if to illustrate the fanciful, carnivalesque intent, Bots ends on "Infinite Trolley," a tunefully bittersweet near-instrumental with distant playground commotion and lightly churning mechanical noise, including voice samples that ultimately merge into the machines. ~ Marcy Donelson |
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収録内容
・構成数 | 11.CD
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