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Summer Walker
Summer Walker 「Finally Over It (For Worse Edition Online Exclusive)＜Galaxy Vinyl＞」 LP
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22,790
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【販売店・発送】 タワーレコード株式会社
商品の情報
| 発売日：2025年11月28日 / ジャンル：SOUL/CLUB/RAP / フォーマット：LP / 構成数：1 / 製造国：アメリカ盤 / レーベル：LVRN Records / SKU：602475735892 / 規格品番：602475735892 |
商品の紹介
| Finally Over It concludes a trilogy that Summer Walker began with Over It and continued with Still Over It. "It" remains nondefinitive and can be taken to mean anything from a broken relationship to belief in the possibility of traditional lifelong companionship. The album ends with the title song, a grand celestial flourish in which Walker breathily states that shes ready to tie the knot, but after so much preceding fraught articulation, theres a sense that shes settling, maybe even giving in, because "No one else can take it" -- the "it" most certainly meaning herself. Walkers visual reference to Anna Nicole Smiths marriage to an octogenarian billionaire jibes with her declaration that shes done with dating for love, yet in "FMT" ("fuck my type"), the somewhat countrified ballad that leads the albums second half, she longs for "Genuine love and passionate touches, laughter -- I hate this transactional stuff." Indeed, shes still examining situations with varying outlooks, trying to make sense of her circumstances, acquiring wisdom all the while. Even though there are some familiar subjects -- betrayal, temptation, miscommunication, longing for support, and so on -- Walker writes with such specificity, insight, and wit that none of these songs come off as routine. The featured appearances tend to get in the way, especially with regard to the rotation of men on romantic duets. Walker is generally more simpatico with the ladies, partnering with Mariah the Scientist to gracefully upbraid a chump on "Robbed You," later preening beside Latto and Doja Cat on the levitating "Go Girl." Production-wise, theres little in the way of trap-style rhythms with a crew of over three dozen collaborators -- tied together by David "Dos Dias" Bishops involvement on a majority of the tracks -- crafting lissome ballads, slow jams, and midtempo cuts. Walker and company skillfully reference 90s and 2000s R&B, most cleverly so on "No," a neer-do-well rebuke that upends Beyonces "Yes" while retaining that songs seductive sonics. The shared lightness of touch among the producers suits Walkers uncommonly exquisite and authoritative voice. While shes still going through it, her artistic power remains undiminished. ~ Andy Kellman |
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収録内容
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・構成数 | 1 |