9/27
時点_ポイント最大2倍
Don McLean
Don McLean 「American Pie＜限定盤／Colored Vinyl＞」 LP
販売価格
5,990
円 （税込）
- 出荷目安：
- 当日-翌日出荷
たまるdポイント（通常） 54
+キャンペーンポイント（期間・用途限定） 最大1倍
※たまるdポイントはポイント支払を除く商品代金(税抜)の1％です。
※表示倍率は各キャンペーンの適用条件を全て満たした場合の最大倍率です。
各キャンペーンの適用状況によっては、ポイントの進呈数・付与倍率が最大倍率より少なくなる場合がございます。
dカードでお支払ならポイント3倍
各キャンペーンの適用状況によっては、ポイントの進呈数・付与倍率が最大倍率より少なくなる場合がございます。
※クーポン適用後の費用は決済画面で確認できます
マークは試聴できる楽曲です。
- 商品情報
- レビュー
【販売店・発送】 タワーレコード株式会社
商品の情報
| 発売日：2026年02月20日 / ジャンル：ROCK/POP / フォーマット：LP / 構成数：1 / 製造国：輸入 / レーベル：Capitol / SKU：602488129619 / 規格品番：8812961 |
商品の紹介
| 1971年10月24日にユナイテッド・アーティスツ・レコードよりリリースされたDon McLean2枚目のスタジオ・アルバム。 このフォーク/ロック・アルバムはビルボード200で1位を獲得し、チャート1位を記録したシングル「American Pie」と「Vincent」を収録。 本作は高い評価を得てリリースされ、後に『死ぬまでに聴きたい1001枚のアルバム』に選出されている。 |
| 発売・販売元 提供資料（2026/02/05） |
| Don McLean's second album, American Pie, which was his first to gain recognition after the negligible initial sales of 1970's Tapestry, is necessarily dominated by its title track, a lengthy, allegorical history of rock & roll, because it became an unlikely hit, topping the singles chart and putting the LP at number one as well. "American Pie" has remained as much a cultural touchstone as a song, sung by everyone from Garth Brooks to Madonna, its title borrowed for a pair of smutty teen comedies, while the record itself has earned a registered three-million plays on U.S. radio stations. There may not be much more to note about it, then, except perhaps that even without a crib sheet to identify who's who, the song can still be enjoyed for its engaging melody and singable chorus, which may have more to do with its success than anything else. Of course, the album also included "Vincent," McLean's paean to Van Gogh, which has been played two-million times. Nothing else on the album is as effective as the hits, but the other eight original songs range from sensitive fare like "Till Tomorrow" to the sarcastic, uptempo "Everybody Loves Me, Baby." American Pie -- the album -- is very much a record of its time; it is imbued with the vague depression of the early '70s that infected the population and found expression in the works of singer/songwriters. "American Pie" -- the song -- is really a criticism of what happened in popular music in the '60s, and "Vincent" sympathizes with Van Gogh's suicide as a sane comment on an insane world. "Crossroads" and "Empty Chairs" are personal reflections full of regret and despondency, with the love song "Winterwood" providing the only respite. In the album's second half, the songs get more portentous, tracing society's ills into war and spiritual troubles in "The Grave" and "Sister Fatima." The songs are made all the more poignant by the stately folk-pop arrangements and McLean's clear, direct tenor. It was that voice, equally effective on remakes of pop oldies, that was his salvation when he proved unable to match the songwriting standard set on Tapestry and this collection. But then, the album has an overall elegiac quality that makes it sound like a final statement. After all, if the music has died, what else is there to say? ~ William Ruhlmann |
| --- |
収録内容
・構成数 | 11.LP
1.LP
|