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Bleachers
Bleachers 「Everyone For Ten Minutes<Clear Vinyl>」 LP
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5,790
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【販売店・発送】 タワーレコード株式会社
商品の情報
| 発売日:2026年05月22日 / ジャンル:ROCK/POP / フォーマット:LP / 構成数:1 / 製造国:輸入 / レーベル:VMG / SKU:5060257965748 / 規格品番:5796574 |
商品の紹介
| ジャック・アントノフ率いるブリーチャーズの最新スタジオ・アルバム!(2026年発表) Dirty Hit契約第1弾にして第4作『Bleachers』(2024年)から、第1作『Strange Desire』(2014年)の「リイマジンド」版である『A Stranger Desired』(2024年)を挟んでの第5作となる。 第4作『Bleachers』はバンドにとって大きな到達点となり、幅広い称賛を受け、ワールドツアーも大成功を収めた(日本にはSUMMER SONICで来日)。新作でもこれまで以上の成功が期待される。 プロデューサー/ソングライターとしてのジャック・アントノフはグラミー賞を13回受賞している。第66回グラミー賞(2024年開催)で最優秀プロデューサー賞(ノン・クラシック部門)を3年連続で受賞した。 クリア・ヴァイナル ★予めご了承下さい★海外から取り寄せる輸入盤ですので、仕様が急遽変更となることもございます。 |
| 発売・販売元 提供資料(2026/04/02) |
| As anyone whos experienced loss knows, grief is a lifelong companion -- and one that often makes its presence more keenly felt during joyful times. When Bleachers released Everyone for Ten Minutes, Jack Antonoffs life was at a personal and professional peak. Along with his happy marriage to actor Margaret Qualley, he became only the fourth person to win the Grammy Award for Album, Record, and Song of the Year as well as Best New Artist. His evolving relationship with his sisters death, however, is just as vital to the albums honoring of the past and embrace of the future. As he surrounds listeners in these complex feelings, Antonoffs use of sound is typically eloquent. Each choice is an emotional footnote: On "The Van," the soulful brass and strings of Blue Magics "I Just Dont Want to Be Lonely" wrap Antonoffs memories of his first bands in instant nostalgia. On "Upstairs at Els," the clipped new wave beat and title nod to Yaz, one of his formative favorites. Bleachers also branches out on Everyone for Ten Minutes, adding earthy textures that underline the influence of classic songwriters on these songs. Pedal steel, banjo, and fiddle join in on "Shes from Before," a touching homage to both Antonoffs family tree and his love of Bob Dylan. With its lilting rhythm and unvarnished honesty ("These hope-filled lies/These honored traditions/If you repeat them enough/You can live with somebody whos missing"), "I Cant Believe Youre Gone" is equally indebted to Leonard Cohen and Shane MacGowan. This feeling of connection extends to Bleachers playing, which bottles the full-band energy of their unbridled live shows. Though Antonoff recorded one of the albums rowdiest numbers, "Dirty Wedding Dress," on his own, the bands intuitive playing lends weight to the grand gestures of "Take You Out Tonight" and "Sideways." Theres also more ebb and flow on Everyone for Ten Minutes than on some of their previous albums. Calling songs as engaging as "We Should Talk," a highly emotional reincarnation of 80s pop thats quintessential Bleachers, or the acoustic lament "Dancing" breathers doesnt quite do them justice, but they do make the peaks the band hit on "You and Forever" and "Im Not Joking"s celebrations of love extra satisfying. The ever-present -- and ever-changing -- blend of grief and joy within Bleachers music is always heartfelt, but its rarely sounded as rousingly real as it does on Everyone for Ten Minutes. ~ Heather Phares |
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収録内容
・構成数 | 11.LP
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