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Jorge Drexler
Jorge Drexler 「Taraca」 CD
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【販売店・発送】 タワーレコード株式会社
商品の情報
| 発売日：2026年06月13日 / ジャンル：WORLD/REGGAE / フォーマット：CD / 構成数：1 / 製造国：輸入 / レーベル：Sony / SKU：199584324425 / 規格品番：199584324425 |
商品の紹介
| ウルグアイ出身、今やスペイン語圏を代表するアーティストの一人にまで上り詰めたホルヘ・ドレクスレルのニューアルバム『Taraca』は、世代間、地理的、様式的、時間的、具体的、象徴的といった様々な架け橋となる作品だ。音楽コミュニティとして機能し(これほどまでに共同作業的な作品は彼の作品にはこれまでになかった)、モンテビデオの音楽遺産に関する集中講座のような役割も果たしている。しかし何よりも、これは祝祭のアルバムなのだ。 |
| 発売・販売元 提供資料（2026/04/24） |
| Taraca is the 15th album by 17-time Latin Grammy winner, Uruguayan singer/songwriter Jorge Drexler. His first in four years, it marks his first time recording at home in two decades. Its contents offer a return to root sounds, in particular candombe. Candombe is a drum-based musical style that originated among the enslaved African population of capital Montevideo, and is based on Bantu African drumming. The musical style was racially marginalized and even banned over its existence (as were Brazilian samba and American blues) but survived, evolved, and in the 21st century, thrived. Like the aforementioned styles, candombe is at an ascendant moment in 21st century popular culture. Drexler plays homage to his recently deceased father here; to that end, he recruited a host of guests including Young Miko and the young, nationally popular Rueda De Candombe ensemble to assist him. Opener and single "Toco Madera" (Knock On Wood) reveals that while Drexler is re-engaging with root sounds, he remains committed to creating artful Latin pop. The 11-song album explores grief, immigration, love in its many forms, and identity. He is backed by a choir, piano, a pair of synths, and many drummers. Hes watching a screen where a GPS dot is moving away; he knocks on wood in hopes of its return. The central rhythm is played by a clave tapping against the side of a wooden drum in the driving song. "?Como Se Ama?" is a breezy, airy, humorous, love song. Amid Wurlitzer piano, acoustic guitars, a choir, and drumming ensemble, the protagonist claims he watches online tutorials to learn to love his partner, then asks her how its done. "El Tambor Chico" is a perfect fusion of Drexlers jazz-pop style and candombe, wherein his studio band joins the pervasive, infectious rhythms of Rueda De Candombe, who fuel his lyrics about playing the chico drum. They also appear on the stellar Brazilian composer Gonzaguinhas life-affirming group sing on "?Que Sera Que Es?" Former soccer star-turned-singer and rapper Young Miko duets on the haunting ballad "Te Llevo Tatuda," offered in tribute to his late father; its adorned by strings and fingerpicked acoustic guitars. Jazz singer/songwriter Meritxell Neddermann joins him on "Amar y Ser Amado." In addition to the multi-tracked duo becoming a choir, she plays piano, synth, and vocoder in a simple, irresistible meditation on love. Americo Young appears on "Nuestra Trabajo/Los Puentes." A folk song sung in duet, the contrast of Drexlers tenor and Neddermanns high alto over fingerpicked acoustic guitars is sublime. Closer "Las Palabras" finds choir Falta y Resto joining in a polyrhythmic meditation on language as action, sorrow as shadow, and the potential of words to redeem and ruin. It is also dedicated to his fathers memory and example. Taraca is seamless, rich in rhythm, tone, and poetry; its a masterpiece in a career filled with quality recordings, and expands the reach of traditional styles as they meet sophisticated, resonant pop. ~ Thom Jurek |
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収録内容
・構成数 | 11.CD
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