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Chanel Beads
Chanel Beads 「Your Day Will Come＜Colored Vinyl＞」 LP
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5,790
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【販売店・発送】 タワーレコード株式会社
商品の情報
| 発売日：2026年06月26日 / ジャンル：ROCK/POP / フォーマット：LP / 構成数：1 / 製造国：輸入 / レーベル：Jagjaguwar / SKU：656605248738 / 規格品番：JAG487LPC1 |
商品の紹介
| Your Day Will Come is the full-length debut of Chanel Beads, a project helmed by multifaceted musician Shane Lavers. A Minnesota native who launched the project in Seattle in the late 2010s before relocating to New York City to pursue music in earnest, Lavers combines real, synthetic, and manipulated instrument sounds in his songs, which are influenced by experimental music, 80s sophisti-pop, and artists like Animal Collective, David Sylvian, and Steve Reich. A noteworthy inspiration for the ambiguously titled Your Day Will Come, which doubles as Chanel Beads Jagjaguwar debut, was the notion of "fake jazz," a term coined by Donald Fagen in the TV documentary Classic Albums - Steely Dan: Aja. Another, perhaps conceptually related feature of Lavers approach, are the muddied, frizzled textures achieved by intentionally printing down tracks. This process complements the albums sometimes ghostly, vague sophisti-pop references, making for an album that sounds familiar -- but not quite. It opens with string voices, bouncy strummed guitar, and something like handclaps or manipulated snare on "Dedicated to the World," an appropriately dreamy entry point. While he takes a similar approach to the marriage of things real and artificial throughout the album, some of the more conspicuous variations include the melancholy, drum-less "Idea June," which turns lead vocals over to touring bandmate Maya McGrory, whose airy delivery is not terribly dissimilar to Lavers high-pitched, often-distorted voice here. Also in this category are the beats-assisted half-rap of "Embarrassed Dog," the grunge-tinged "Urn," and the Prefab Sprout-haunted "I Think I Saw." ("Unifying Though" employs what sounds like that groups distinctive, light-as-air backing vocals, although sparingly.) The albums centerpiece, however, is an instrumental, the sprawling, more compositional "Coffee Culture," which at nearly six minutes is also by far its longest entry. Its one of several tracks here to feature another touring bandmate, violinist Zachary Schwartz, and the only one with saxophonist Henry Solomon. Along the way, some of Lavers cited recording tricks include processed violin and bass run through MIDI. Time will tell if Lavers is snatched up for work in scoring or if he will develop his songwriting on future albums, but based on this under-30-minute taste, his handiwork seems destined for continuation. ~ Marcy Donelson |
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収録内容
・構成数 | 11.LP
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